top of page
Screenshot 2026-11-06 at 4.35.43 PM.png

Technical Direction & Production Management

I am a collaborative and flexible technical director and production manager who leads with curiosity and a problem-solving mindset. I enjoy tackling complex technical challenges and finding creative, practical solutions. My approach often starts with the desired end result, working backward to develop a plan that balances design, resources, and execution. I value collaboration, clear communication, and creating an environment where both people and ideas can thrive.

Urinetown: The Musical

Music by Mark Hollmann, lyrics by Hollmann and Greg Kotis, book by Kotis

Directed by Jeff Turner at Hamline University
Music Director: Emily Villano
Choreographer: Megan Helmers
Scene Design: K Lartz
Costume Design: Eleanor Schanilec
Lighting Design: Kurt Jung
Sound Design: Morgan Bambauch
Technical Director & Production Manager: K Lartz
Photos by Molly Jay​​

​

This technical challenge involved a ten-foot unsupported span in the middle of a ten-foot-tall platform, multiple stairs, a rear projection screen, rigged scenery, and a few on-stage scene transitions, including the public amenity turning into the secret hideout. 

​

The thin handrails were made of laminated layers of plywood, allowing the design intention of thin, metal railings to be achieved, while the sturdy wood construction allowed the student-worker scene shop to build them. 

FAB-U-LAND

Directed and written by Jay Owen Eisenberg with the student acting company at Hamline University

Scene Design: K Lartz

Asst. Scene Design: Abi Grace Mart

Costume Design: Eleanor Schenalic

Lighting Design: Kurt Jung

Technical Director & Production Manager: K Lartz 

Photos: Molly Jay

​

The technical direction of this production centered on building moving miniature scenery that brought the play’s whimsical world to life. The miniature theme park featured working scenic elements, including a Ferris wheel, boat swing, and many lighted theme park attractions. This required thoughtful construction, drawing on both traditional theatrical techniques and detailed carpentry skills from furniture building and cabinet construction. The project explored the possibilities of movement and mechanics on a small scale while creating a playful, highly detailed scenic environment.

Heathers: The Musical

Book, Music & Lyrics by Kevin Murphy & Laurence O’Keefe

Based on the film written by Daniel Waters


Directed by Hannah Steblay at Hamline University 
Scene & Lighting Design: Sarah Brandner
Costume Design: Eleanor Schenalic

Technical Director & Production Manager: K Lartz 
Photos by Molly Jay

Hired about two weeks before the semester began, I jumped into my first production at Hamline University. The production marked Hamline’s first musical in six years and sold out every performance. In addition to technical direction, I coordinated the department's first online ticket sales system and began establishing professional production photography for department shows. The technical direction involved drafting and building an eight-foot-tall scenic structure with multiple removable locker sections, a walkable platform on top, and an accessible passageway underneath. 

The Revolutionists

by Lauren Gunderson
Directed by Laura Dougherty at Hamline University
Scenic Design: Joe Stanley
Costume Design: Samantha Rei
Lighting Design: K Lartz
Sound Design: Emmett Frett
Photos by Molly Jay
​​

The Revolutionists

Featuring four hanging guillotines, three hanging above the audience, and audience risers built onstage, this dramatic-punk play involved rigging guillotines that were eight feet tall and built out of foam.

by Lauren Gunderson
Directed by Laura Dougherty at Hamline University
Scenic Design: Joe Stanley
Costume Design: Samantha Rei

Lighting Design: K Lartz
Sound Design: Emmett Frett

Photos by Molly Jay

​​

Four women live (and die) during the Reign of Terror.

© 2035 by Urban Artist. Powered and secured by Wix

bottom of page